Oh My Goddess, I’m 40!

As I near my 40th birthday, I have been taking stock of my path over the years, and how my relationship with the Goddess has changed.

In many ways, it hasn’t changed, but my embodied experience of her has.

The Goddess’ energies of Maiden, Mother, Enchantress and Crone have danced in my life in many ways at different times in my life. I noticed each aspect holds a unique experience of embodiment for me.

Stages of Life

I feel the energies of Maiden, Mother, Enchantress & Crone can be experienced by anyone at any stage of life. Generally though, there are lessons pertaining to each aspect of the Goddess during specific stages in our lives. We may experience these aspects more physically, emotionally or psychologically.

From Georgina Catling’s Yoni Oracle Deck

It is a rough estimate, but generally our ‘Maiden’ years range from our teens to late twenties. This is where we are experimenting, finding ourselves, placing our own self-discovery and independence to the forefront. We may resonate with a Goddess who expresses these qualities of independence and adventurousness at this time of life.

Our ‘Mother’ years may span from the late twenties to early fourties. This is the stage where our focus is on nurturing relationships, creative projects, careers and/or family. We may connect with a Goddess who expresses these nurturing and creative qualities at this time of our life.

Our ‘Enchantress years may span anywhere between the late thirties to late fifties. This is about magic, transformation and authenticity, a time where we often need to reasses our life and make changes that reflect who we really are. We may find a Goddess at this stage who helps us to navigate change at this time.

The ‘Crone’ years may begin around 60 and beyond. This time is about embodying wisdom, acceptance, cultivating our spirituality and inner peace. A goddess who helps support this within us may resonate at this time.

I feel it is possible that any type of goddess can show themselves at any time in our lives that we need them and their lessons and gifts. They don’t have to follow the pattern I outlined above. My experience did not follow the pattern, exactly.

This is a little bit about my journey, which centres on the physical, embodied experience I’ve had in relation to these different aspects of the Goddess…

Maiden- Finding Her

In my early 20s, my sense of the Goddess was outside of myself. At first, she was elusive, an energy that I was trying to find within myself but struggled to connect with. At that age, due to social conditioning, I felt my body was not my own. Representations of the feminine who I was supposed to emulate and look to for guidance were either hypersexualized or repressively ‘virginal’. I did not know or feel that I was Goddess-like or even wanted to connect with her.

Then I started to feel a connection to the Goddess through her guise as Earth Mother, which made her more tangible and real to me. I felt her whenever I was in nature. Her imperfections helped me feel at ease with my own. I felt I could rest in her arms if I needed. I felt I could connect my body to hers. I could see her everywhere, and feel the healing balm of her stability, nurturance and beauty wherever I was.

A Cedar’s womb

I was practicing and teaching yoga at this time. I found myself subtly weaving my relationship to the Earth Mother into my practice and my classes. Yoga helped me to reclaim my own body and worthiness. This naturally fit with my relationship with the Earth Goddess. In an attempt to be more in tune with nature, I went off the pill and my natural cycles began, but they were extremely painful and debilitating.

The Earth Mother expression of the Goddess served as a calming tonic to my womb troubles, which weren’t so bad, at first. I began to consciously construct a practice around this. I was drawn to pagan books and began to learn more about witchcraft, the goddess, following moon cycles and celebrating the seasons. Doing this helped me reclaim my cyclical nature and see the reflection of the earth and cosmos within my body, even though my cyclical experience was sometimes painful.

I soon found I was also drawn to a darker aspect of the goddess- the ones who help us go through the underworld. Goddesses like Inanna, Kali, and Persephone resonated.

My womb pain began to increase steadily despite the support of the Earth Mother. I did not know at this time that I had endometriosis. I took up bellydancing and followed my instincts to dance and use movement as a pain-transmuting practice. I found a balance between the deep, transformative, Dark Goddess and the grounding, gentle Earth Mother Goddess. I honored these aspects of her nature through movement, dance and natural forms of healing.

Me dancing in the forest

Mother- Embodying Her

At age 25 I became pregnant. It felt that this was a new stage in my relationship with Goddess. It was a very embodied experience of her energy, and specifically her power. My pregnancy and birth went well. The strength of a warrior is needed to become a mother, and I felt a new level of embodied feminine strength and fierceness through this new role.

We always think of the Mother in her nurturing aspect as gentle- baking cookies, cuddles and soothing words or lullabies, however she is also the fierce protective mama bear who would kill to protect her child and die for them.

I cherished and honored the ability to carry life and birth my daughter. I was so lucky to be able to conceive and give birth with my condition. I was blessed with an amazing child. But like for any mother, the intense self-sacrifice necessary to raise a child began to wear on my body and soul.

Me & my daughter 2009

It came time to take back some of my sovereignty and independence in order to balance this intensely giving energy.

Around 30, my womb health began worsening quickly and steadily. I was tired, anemic and in pain much of the time. I was struggling, taking evening classes, studying to be a natural health pracititoner. I was trying to build an avenue of work for myself while also being at home with my daughter. My body, however, was telling me I needed to get more serious about my womb health.

I eventually developed endometriomas (endometriosis-related cysts) on my ovaries and became so debilitated I could no longer walk or go to the bathroom without intense pain. My mental health suffered as I swung between anxiety and depression. After years of trying all forms of natural healing modalities and spending hundreds of dollars on natural health practitioners, I realised I had to take this condition more seriously. In my early 30s my doctor sent me to see a specialist and finally get surgery.

It was around this time that I was called into relationship with the Egyptian goddess Isis.  Goddess of magick, motherhood and healing. She is also a Queen, her name meaning ‘She of the throne’.  She was with me to help me reclaim my sovereignty, and to heal my womb.

From Marashinsky & Janto’s The Goddess Oracle deck

Isis was always quickly at my side to bring me relief when I needed it. I remember one night I was in severe pain. (My endo pain was often worse than my labour pains.) This was one of those times I wasn’t sure if I could make it through. I called on Isis to please heal the pain. I felt/saw her merge with me. My body began to shake vigorously until the pain subsided completely. I went to sleep peacefully.

I developed a faith in Isis that was strong, tangible and powerful. She reminded me that I could heal. She also helped me reclaim my inner sovereignty as mother and wife- she told me that I could hold love and boundaries in my heart at the same time. This was a new concept for me, but essential to learning to take care of myself.

At age 33, I finally had my surgery for stage 4 endometriosis. I felt so much relief, but still had some pain and bleeding issues, which were likely related to adenomyosis, a cousin to my condition. I had to take medication to keep the severe pain and bleeding from returning.

Enchantress- Deepening Into Her

In my mid-thirties, my relationship with Isis went into the background and I found myself in situations that tested this newfound embodied ease and integrity that came with no longer being in chronic pain.

My medication kept me much more mentally stable and I was able to see with more clarity and calm what I wanted and needed. My daughter was older and more independent. I had a lot more energy at my disposal. I had newfound confidence in taking charge of my life. I saw clearly what needed to change.

Irish battle goddess the Morrighan came to me in these years, passing me her sword to cut unhealthy ties and habits from my life. She was a force to be reckoned with. Working with her changed me deeply. She showed up whenever I felt intense fear, vulnerability or needed to stand up for myself.

The Morrighan

The Morrighan is a goddess I would classify as having strong transformational ‘enchantress’ energy, and she showed up when I started to feel a deeper need for authenticity and authority in my life. My marriage went through a deep restructuring at this time, and thankfully it survived.  My relationship with family and friends also met with this sword. The Morrighan helped me set boundaries and value self-protection. I learned how to honor myself and create what I wanted instead of being a victim.

Without the limits of pain on my mobility, I began to run, lift weights and build muscle, coinciding with the internal strength I was developing. The Morrighan helped me embody a new level of fitness, fierceness and inner sovereignty. This felt a necessary experience in order to navigate the Enchantress years- which are all about transformation. This is the stage of life I feel I have been slowly entering.

Crone- Becoming Her

I am not in my Crone phase of life yet, but Cerridwen, most often depicted as a Crone goddess, has made herself a strong guide for me in the last couple years.

Cerridwen first made herself tangible to me when we went on a trip to southern Wales in 2019. On that trip our daily plans kept shifting due to weather, unforeseen closures and other nudges from the universe. We ended up wandering into the most beautiful, unexpected and quiet places.

Yews at Capel-Y-Ffin, Brecon Beacons, Wales.

It was these quiet moments at wells, caves, and in Yew groves where I felt an aspect of the Goddess that was deeply needed. A deep, ancient, wise grandmotherly energy. A mystical, all-encompassing , dark feminine energy that I still can’t fully describe. It feels like coming home to my soul.

My meditations at that time kept bringing me to sea caves and the shores of a beautiful lake, where a wise, older woman was always stirring her cauldron. She was simply there, waiting for me to visit. She would let me release what I needed into the cauldron, or she would share a bowlful of something from it to nourish me. Sometimes she wanted me to peer into it and simply ‘see’, or scry.

It wasn’t until some months later that I realised this was Cerridwen calling me, which coincided with the pandemic.

Cerridwen has an energy that helps me to surrender and embrace necessary endings in life. This has been helpful through all the chaos and uncertainty of the pandemic.

My relationship with Cerridwen has been like the calm eye in the middle of the storm. It helps to centre me, as well as let go of my attachment to how I want things to be. She dissolves these things in her cauldron, asking me to open to her deep, wise presence within me.

My painting of Cerridwen

For the last few years, my medication has caused several symptoms mimicking peri-menopause and menopause. These complaints are minor compared to the intensity of the pain I used to have, so I am very grateful and accepting of this. But it hasn’t always been easy, as I am not quite peri-menopausal yet.

The combination of this somewhat menopausal experience in my body, understanding chronic pain, raising a teenager and being married to an older man, means I sometimes feel I have more in common with women older than me than women my own age.

While later than previous generations, many folks my age are just settling down and starting a family now, or maybe just starting to feel the body’s limitations creeping in. Caring for their aging partner may not have crossed their mind yet.

Aging is something I hope to do gracefully and well. Something I will accept more and more with time. There are lovely older women in my life that I admire. I hope to carry Cerridwen’s Crone wisdom with me into the future, navigating my Enchantress years with her .

For now, I honour all the ways in which the Goddess has danced with me and continues to teach me.

How do you feel you embody Goddess energy? Is it something that has changed over time? How has your relationship with Goddess and your body changed as you grow older?

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As a Witch who makes her home and practice in Tkaronto (Toronto) Ontario, I deeply thank the original stewards of this land: The Mississaugas of the Credit, Mississaugas of Scugog, Alderville, Hiawatha & Curve Lake; The Chippewas of Beausoleil, Rama & Georgina island, the Haudenosaunee and Wendat nations. I acknowledge the resilience of the First Nation, Inuit and Metis people who live and work here in the present, in a system of inequity and oppression. I am working on uncolonising my own practice, amplifying Indigenous voices and supporting Indigenous communities in whatever way I can.

Dancing With the Sacred Unknown

We are collectively in uncharted waters. Much of what we have known and relied upon has been washed away, requiring constant flexibility and resilience as we swim to keep our heads above water as best as we can. It is as though the solid ground beneath us has given way to water.

Sometimes, in times like these, our best option is to float.

When we float is there is nothing but water and sky, and we are held in suspension- it seems as though we are outside of time and space, heart open to the vast unknown. Depending on your comfort level with water, this can feel super scary or total bliss (or both!). Whether the water is still or pulsing with waves, it can still hold us up.

Without struggling or striving, we can rest into that support, even as it ebbs and flows. This can feel like a gift to our souls as we remember what it feels like to be a babe in the great Goddess’ womb, part of the origins of life itself.

These times of transition and uncertainty ask us to take a break from striving and feel what it might be like to be held by something greater.

Allowing ourselves to be held by something greater doesn’t necessarily mean we give up on things that matter to us and do nothing about our circumstance or situation. It is not a complete surrender of our free will, agency or engagement with the material world. No.

It is a practice of remembering that we are not always in control. It is accepting what we cannot change and at the same time allowing ourselves to open to greater potentiality within ourselves. Like floating on the water, we can accept the flow and open to what new directions and awareness the experience might bring. We remain curious, aware and open to something bigger than us to take us where we need to be. When we are attuned to the flow, we will better know how and where to swim.

Divine Darkness

The Dark Mother energy of Cerridwen has been incredibly healing and helpful to me in navigating this uncharted territory. It is not surprising that she showed up shortly before the pandemic began.

Cerridwen Banner by Wendy Andrews

Dark Goddesses are not dark in nature so much as they are present and supportive to us when we are in dark times. Times when we cannot see what lies ahead, transitional times, times when we are meeting our shadow face to face or healing and moving through trauma. Dark Goddesses bring the wisdom, strength and lessons we need in order to navigate these challenges.

In my life, when one of these Goddesses shows up, it is an indication that I am going to be doing some deeper work or going on an inner underworld journey.  

Through my relationship with Cerridwen, I have been practicing trust, surrender and being held by The Mystery. Cerridwen’s cauldron is the dark womb of potential and rebirth. This dark womb/cauldron imagery is something I work with regularly. 

So much of Cerridwen’s energy, gifts and lessons in my experience is about that surrender to something larger. Trusting this divine energy to hold me in the sacred unknown. In Cerridwen’s deep cosmic cauldron, I feel safely held, yet open to vast potential. It is a very nameless, dark, void-like space at times.

Emptiness & The Creative Cycle

I was feeling quite creatively barren and empty when Cerridwen showed up. I was scraping the bottom of the barrel of new ideas, passion or motivation. I felt the emptiness had come with the end of a chapter and awaiting a new beginning. I was struggling to feel engaged or excited about anything. Cerridwen, as the goddess of inspiration, came into my sphere.

But she didn’t just bestow an abundance of passions and inspiration upon me out of thin air. She beckoned that I come and spend time with Her first. She is named the goddess of Inspiration, because it is through the challenging experience of transformation and surrender to the dark womb of nothingness, that inspiration can be born.

I felt a strong draw to Her, and began to read about Her, connect with Her, and follow her mysterious trail of will o’ the wisps towards Her cauldron, and entered into its mysteries.

My big cauldron

In a nutshell, the cauldron transformed me. It recognised what needed to be released, where I needed to be strengthened and the process is still continuing today.

I have not emerged from the cauldron yet. I am still releasing and transforming within it. In letting go of old habits and becoming aware of my true inner light and strength, I am more trusting in myself and my ability to float and swim.

As I go through this journey with Cerridwen in Her cauldron, my inspiration is increasing. I am feeling more connected to what stirs my passion and aligned with my authentic self. I am also more comfortable with the unknown and finding ways to dance with it.

I recognise that life moves in cycles and new life always emerges from the emptiness. We don’t always know how the new life will show up, but it always does. So, I am looking forward to the continued emergence and growth that is sourced from that original emptiness I surrendered to. I trust that it will flourish in its own way and timing.

The Sacred Unknown

There is something sacred about the transitional times in life. Dawn, dusk, birth, death, those moments when we are neither here nor there, between versions of ourselves, ways of being in the world. These are sacred times. We are closer than ever to the source of life at these times, and while they are often uncomfortable, lonely, traumatic, or unbearable, they are the times when we are most held by something greater.

These are the times dark goddesses and spirit guides have made themselves clearly known to me. I have met important healers and had serendipitous experiences that changed the course of my life during these times.

Sometimes we have to be broken down in order to open up. I find it interesting that the word ‘scared’ is in the word ‘sacred’. I feel that moving through our deepest fears can be a deeply spiritual experience, because it can change us forever and help us grow.

It is important however, during these transitional times, to hold safe space for ourselves and ensure we have someone who can hold safe space for us, as safety is necessary in order to truly grow from our depths. The cauldron represents the sacred container that allows us to do so.

Water, Darkness & Reflection

I feel that it is important while we are going through times like these that we take time to look back and reflect on how far we’ve come.

How have you become more braver? stronger? More adaptable? What have you let go of? What new things have you opened up to? How have you changed?

It is also a good time to explore our relationship to the element of water and to darkness.

How do you feel about going with the flow? What have you learned from navigating change? How do you find your way when you cannot see what’s ahead? How do you cope with uncertainty?

Rituals for Being Held by the Dark Womb/Primordial Source:

I invite you to try connecting to the dark womb/primordial source as a way to cultivate trust in the unknown. It is something I enjoy doing.

If you have a bathtub, you can try taking a bath at night, with all the lights out. Imagine you are resting in the great goddess’ womb, merging with the primordial source of being. Silence is a very powerful accompaniment to this, just listening to the sound of your own breathing. However if that is too challenging, you may wish to play some deeply relaxing music. I suggest Deep Sleep by Calm Collective, Long Ambients by Moby or Voyage by Garth Stevenson. Simply rest in the darkness and feel as you are held within the womb.

You can recite the following affirmations:

I am safe. I am held. I am safe and held in the dark womb. I trust in divine timing. My time to birth will come. I now rest in the sacred unknown.

If you do not have a bathtub, or don’t feel comfortable in water, you can also lie down on your bed in darkness (if you cannot make your room completely dark, try wearing a blindfold). This makes sense to do at bedtime. Relax into bed, and imagine you are floating in the middle of a lake at night under a sky full of stars. You are warm and snuggled in the covers. Imagine you are within the Great Mother’s Womb, held safely. Connect to the silence, following the sound of your breath in and out. Or, if you’d rather, you can play relaxing music as I suggested above. Say the affirmations above to yourself.

You may also wish to visit a float spa, such as H2O Float Studio here in Toronto. Or, if it is warm where you are, go ahead and float on an actual body of water.

May the changes of these times create a relationship with darkness that is no longer one of fear, but of deep comfort, like the darkness of the womb, the darkness that is the source of life.

xo Serena

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As a Witch who makes her home and practice in Tkaronto (Toronto) Ontario, I deeply thank the original stewards of this land: The Mississaugas of the Credit, Mississaugas of Scugog, Alderville, Hiawatha & Curve Lake; The Chippewas of Beausoleil, Rama & Georgina island, the Haudenosaunee and Wendat nations. I acknowledge the resilience of the First Nation, Inuit and Metis people who live and work here in the present, in a system of inequity and oppression. I am working on uncolonising my own practice, amplifying Indigenous voices and supporting Indigenous communities in whatever way I can.

Who is the Goddess Cerridwen?

Cerridwen is a prominent figure from Welsh mythology revered by druids, witches, and pagans all over the world.

She is known as a mother, wife, shapeshifter, witch, healer, powerful initiatrix and bestower of the Awen– the divine force of flowing inspiration that permeates all existence.

Cerridwen has been the source of inspiration for bards of history through to today, as she is believed to brew the Awen in her magickal cauldron and bestow it upon those who wish to channel it.

She is therefore instrumental in the creation of art, song, poetry, music and all forms of creative communication.

Cerridwen is also a Goddess of spiritual initiation, transformation and change. Her myth depicts the process of her initiating a young boy named Gwion going through several stages of death and rebirth, eventually transforming him into Taliesin, who grew up to be the great Chief of Bards.   

She is sometimes referred as a goddess of Inspiration, the Mother of Awen and the Keeper of the Cauldron, for her cauldron is a vessel of great power and change.

Cerridwen’s Myth in a Nutshell

Here is my brief version of Cerridwen’s story (derived from ‘The Tale of Taliesin’):

Cerridwen was married to Tegid Foel and lived in Llyn Tegid (Bala Lake) with her two children- a breathtakingly beautiful daughter named Creirwy, and an ugly-looking son named Morfran (meaning ‘sea crow’), which she later changed to Avagddu (meaning ‘utter darkness’). Cerridwen loved her son dearly, but like any mother, she worried about him.

She wanted so badly for her son to have the respect and opportunities in life he deserved, so she set about creating a potion that would bestow him with great powers of wisdom, inspiration and prophecy to give him hope for a better future.

Cerridwen was well versed in the practice of magick, and so spent time collecting the appropriate herbs, while assigning a young peasant boy named Gwion Bach to stir the cauldron and a blind man named Morda to tend the fire continuously for a year and a day- this potion was quite a commitment!

It was also a very particular potion in that once three drops of it were consumed, the rest of it became poison.

Gwion and Morda worked tirelessly, and Cerridwen mustered all her magickal knowledge and energy for this very special brew for her son. Eventually, she became tired and had a little nap.

During this time, three drops of the hot potion splashed from the cauldron onto young Gwion’s thumb. Instinctively, he brought his thumb into his mouth to soothe the burn.

Upon ingesting those three magickal drops, Gwion was immediately filled with the magickal abilities and wisdom intended for Avagddu- he could see the past, present and future with complete clarity. He knew Cerridwen would be very angry and seek her revenge.

Soon after, the cauldron split and broke open, spilling the now poisonous remains of the potion onto the land, where it flowed and killed horses nearby.

Cerridwen, awakened by the commotion, saw what had happened and in a rage, she began to chase Gwion Bach.

Gwion, now possessing the ability to shapeshift, took the form of a hare to run quickly away from Cerridwen. But Cerridwen was more powerful and took the form of a greyhound in pursuit.

As she got closer and closer to Gwion, he panicked and as he came to a body of water, he quickly transformed into a salmon, swimming as fast as he could. But Cerridwen then took the form of an otter and quickly gained on him.

Gwion then rose out of the water, taking the form of a wren, flying through the air. But Cerridwen took the form of a hawk and again began to catch up quickly.  

As Gwion flew over a mill, he decided to turn himself into a grain of wheat and hide amongst a large pile of grain, thinking Cerridwen would never find him there.

However, Cerridwen was very determined, so she transformed into a black crested hen and proceeded to eat each and every last grain of wheat there, swallowing up Gwion into her belly.

She was relieved and satisfied to have gotten her revenge.

However, things did not go as she planned. By some biological oddity, the grain of wheat that was Gwion implanted itself like an egg within Cerridwen’s womb and began to grow.

‘Ceridwen’ by Christopher Williams
(c) The Glynn Vivian Art Gallery; Supplied by The Public Catalogue Foundation

When Cerridwen realised she was pregnant with this new form of Gwion, she was furious, and couldn’t wait to kill him once he was born.

Nine months later, Cerridwen birthed the most beautiful little boy. When she peered into his radiant face, she was overcome with love and could not bring herself to kill him. But she could not keep him either, after what had happened with the potion. So instead, she placed him in a coracle and set him out into the sea to meet his fate.

The young baby floated out in the sea for months or some say years, until one day a Welsh prince named Elphin was fishing for salmon and noticed something unusual caught in the nets. It was the coracle with the babe in it.

He brought it in, and when he saw the baby’s face, was overwhelmed by his brightness and exclaimed ‘What a radiant brow!’ In Welsh this was Taliesin, which is the name he then took. Taliesin eventually grew up to be the most famed and talented bards in history.

Cerridwen’s Character & Roles

This myth is so rich and full of symbolism, far too much for one blog post. However, these are some key things that stand out for me in regards to Cerridwen:

She is a protective mother, who wants the best for her child

She is a witch– (swynwraig in Welsh), as she is very skilled in herbs, potions and magick.  

She is an initiatrix– She pushed Gwion through stages of spiritual growth and evolution- through the shapeshifting animals of land, sea and sky. Then he is consumed into the great dark womb of transformation through her pregnancy, after which he is reborn into a completely new form.  

She is a transformer and incubator of energy, like the cauldron itself and the womb. There is a strong theme of transformation, incubation and rebirth throughout the story. There are three ‘wombs’ in which this takes place- the cauldron, Cerridwen’s womb and the coracle.

She is Mother of the Awen– She is connected to the song of the universe- the flowing inspiration that moves through all things, which enables her to make such a powerful potion as she did, bringing all that knowledge, wisdom and magickal ability to Gwion Bach in an instant.

She can teach us lessons around control & surrender– There is a strong theme in the story of surrendering to a power larger than ourselves. Cerridwen’s best laid plans, skills and intentions did not prevent her spell from going awry. Something bigger was at work. Her plan to kill Gwion was also twisted by fate. Gwion himself thought he was just going to obediently stir a witch’s cauldron when in fact, what awaited him was a massive initiatory journey of death and rebirth.

Cerridwen in my life

Marashinsky & Janto’s Goddess Oracle deck

I have only been working intentionally with Cerridwen since spring of 2020. Interestingly, that was the beginning of the pandemic. I had felt her presence before that, particularly on a trip to Wales, but I hadn’t put a name to her yet.

On my path, I seem to have periods of time where a deity calls me- I see or sense them in a vision, meditation journey or place, and feel very drawn to them. I work with them for however long I am meant to- to learn their lessons and integrate their energies into my life.

In some ways, starting a relationship with a new deity is like starting a new intimate relationship with a person. I go deep, I let the relationship transform me and my life. It may be long term, it may be shorter term. But I am touched forever.

It makes sense that Cerridwen would call during this collective time of such upheaval and change. We are all in her cauldron, in some way or another. We’ve had to surrender and let go of things, parts of ourselves, and people. We’ve been pushed out of our comfort zones and initiated, tested and challenged, like Gwion.

Working with Cerridwen has brought me face to face with my fears- of persecution, of rejection, of the unknown. She has helped me transmute them and liberate myself, layer by layer. She helps me to trust myself- my connection with the Awen and my skills as a witch. She challenges my love of knowing, stability and control- she has been eroding my need for certainty and transmuting it into a deepened acceptance and trust in the unknown.

Collette Baron-Reid’s Goddess Power Oracle

Cerridwen beckons us to see the beauty in the unformed potential that exists deep in the darkness of the cauldron and embrace this potentiality as fuel for new life.

Working with Cerridwen also seems to activate my voice. I would not consider myself a confident or talented singer or poet. I also struggle with much caution and fear in communicating my truth. Yet, whenever I meditate with Cerridwen, I am always compelled to sing and sound. She seems to love this, as an offering. She also doesn’t let me stop writing, communicating and standing in my power. She ensures that the truth be communicated, in service of the Awen. I thank Cerridwen for keeping me an open channel for the Awen to flow through. For being my protectress, my wise guide and teacher and my dark mother during this potent time.

I will share more of my experiences with Cerridwen and my journey with her in the future. For now, here is a simple song prayer I made up and sing to her:

  • Cerridwen
  • Sing to me
  • Mother of Awen
  • Teach me the Mystery
  • Cerridwen
  • Mother and Crone
  • Lady of the Deep
  • You dwell in my bones
  • Cerridwen
  • Shine your light
  • Hold me by the hand
  • In this dark night

-Serena

*If you are interested in learning more about Cerridwen, I highly recommend Kristoffer Hughes’ book: Cerridwen-Celtic Goddess of Inspiration.

Receive first dibs on events, new products & my FREE ebook- The Witches’ Wheelby signing up for my newsletter below!

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As a Witch who makes her home and practice in Tkaronto (Toronto) Ontario, I deeply thank the original stewards of this land: The Mississaugas of the Credit, Mississaugas of Scugog, Alderville, Hiawatha & Curve Lake; The Chippewas of Beausoleil, Rama & Georgina island, the Haudenosaunee and Wendat nations. I acknowledge the resilience of the First Nation, Inuit and Metis people who live and work here in the present, in a system of inequity and oppression. I am working on uncolonising my own practice, amplifying Indigenous voices and supporting Indigenous communities in whatever way I can.